Jan 212013
 

On February 2nd 2013, a large group of artists and photographers will be deactivating their photos and images at iStockphoto. The movement began on the Microstockgroup forums, in a message board thread which as of today has been read 12,000 times. There is also a call for many artists exclusive to iStockphoto to give up their exclusivity and become “free agents” on this day.

Boxer punch

Artists are Fighting Mad at Google and Getty. Photographer: Diego Cervo

The decision to deactivate images is the result of perceived transgressions by Getty owned iStockphoto toward its artists over the past three years.

In September 2010, iStockphoto announced it would begin paying its contributors as little as a 15% commission while keeping the rest for themselves. Even the most successful of photographers such as Yuri Arcurs would receive no more than a 20% commission on each image downloaded.

In December 2012, it became apparent that Getty and  iStockphoto had cut a deal with Google where some contributors’ photos were used to fund the Google Images stock library under Google Drive.

In this latest slight to artists’ rights, Google announced on its blog that it was offering 5000 free stock images for use in documents, presentations, and so on. However there was no mention of where the images had come from, nor to whom the rights belonged. It turned out the images had come from Getty and iStockphoto, with little or no compensation to the artists to whom the rights belonged.

Even in cases where it could be shown that the artist received compensation for one sale, the images are being marketed by Google for free use by anyone in unlimited projects. A microstock license typically states that only one user has the right to utilize an image per sale. It is conceivable that thousands of sales per image have been lost to each artist. Further, the move by Google and Getty significantly devalued the work of the artists by putting a $0 price tag on each item.

A firestorm of angry artists took to the iStockphoto message boards in response. The debate has since spread to independent message boards such as Microstockgroup, and to the popular media.

Anger Turns to Action

While Getty is digging in its heels and putting its lawyers at the forefront of the message board debate, many artists have simply had enough of the transgressions and are now planning to do something about it.

Lisa F. Young, better known to designers as LisaFX, is upset with the deal between Google and Getty.  One of microstock’s most successful image producers, Lisa’s images have been used in numerous national advertising campaigns and featured on Late Night with David Letterman and ABC World News Tonight.

“Getty has gone too far in using our images without permission or adequate compensation.  Contributors really need to work together to send a powerful message about protecting our copyrights.  I plan to deactivate at least 500 images from Istockphoto on Feb 2 D-Day.  That will be a first step.  If Getty does not respond satisfactorily to contributor concerns, many of us will have to reconsider whether it is worthwhile to continue any business relationship with them at all, ” says Lisa.

Arguably one of the most famous stock image producers in the world, Yuri Arcurs also took his concerns to the Microstockgroup forum discussion. “Any deal that Getty is getting money in their pocket for, made possible by my (and your images), but that we do not collect a royalty on, is a scandal and deserves attention,” wrote Yuri. Arcurs started his own website, PeopleImages to sell his images direct to the public rather than watch agencies continue to devalue his work.

Founder of the Microstockgroup forums, and one of the most respected voices in microstock, Tyler Olson is also participating in the deactivation at iStockphoto. To anyone who thinks the deactivation will not make a difference, he disagrees.

“It will make a BIG difference to me and my images.  My images will no longer be licensed through an agency who is willing to let my images be given away from free.  That is the big difference I’m trying to make.  Anything more is bonus.  Having everyone remove their images on the same day may or may not raise iStock’s proverbial eyebrow but no matter what, it will save my portfolio from being given away for free.”

What Can You Do?

While contributors raise the specter of a mass image deactivation on February 2nd, they continue to wait for a reasonable answer from Google and Getty for how they intend to compensate artists for lost wages.

But you can act now.

Many stock artists have formed their own websites to offer their images, and ensure they keep the earnings rather than giving the lion’s share to agencies. By choosing to download stock images direct from these artists, you will be directly supporting the efforts of artists while taking power from mega stock agencies. The same way many of us choose to purchase our food direct from area growers at a local farmer’s market, we are now able to do the same with stock images.

We have compiled a list of known websites which offer stock images direct to the public from the artists. Our own Warmpicture Images Collective incorporates images from many artists under one umbrella, the same way a farmer’s market comprises multiple growers. We encourage you to not only begin doing business directly with these artists, but also to spread the word to other users of stock images so that the balance of power shifts away from the agencies, to the artists.

Artist Direct Stock Image Sources

Warmpicture Images

LisaFX Stock Photography

My Stock Vectors

Real Stock Photos

People Images

Clip Art Candy

Jareso Stock Database

Vectorella

Denis Pepin Stock Images

Travelling Light

ElenaPhoto

About Photostock

Steve Cascoly

Rudersdalfoto

Sweetsham Illustrations

Pixels Away

Photostockit

Photogenic

Fotoroad

 

 

Sep 052012
 

Warmpicture photographer Steve Cukrov is a successful stock photographer whose career spans 3 decades. Today Steve outlines his evolution as a stock photographer, from learning what to shoot, to developing his skills in Photoshop.

“You say you want an evolution….”

I started this stock photography journey long before digital (1980’s). It never really took off for me. I couldn’t crack the big houses and between the two small regional agencies I was with, they only ever managed to sell one image. This one, a favorite on mine, was taken while helping to photo ID Gray Whales for a research project in Baja California.

Baja Sur Photograph

Sunset, Laguna Guerrero Negro, Baja Sur (scan of a 35mm Kodachrome 64 transparency)

 

All of my beginning submissions to MS agencies in late 2005 were scans of trannies from those early days. Armed with only a Microtek Flatbed Scanner I began scanning my 35mm, 2 ¼ and 4×5 images. Much to my surprise many were accepted at the top sites and began selling right away.

 

This is how one of those first really questionable scans has evolved and continues to be a best seller. Scanned from a 4×5 Kodak Ektachrome transparency. Notice the lovely greenish cast.

 

colorful bottles

Without any PhotoShop skills to speak of, not a clue about keywording, and no digital camera, I set out on this endeavor with optimism and a steep learning curve.

A few months later, as I began to figure out Photoshop and calibrated my monitor, I deleted that image and uploaded this new cleaned-up version.

colorful bottles

Sales began to take off.

The next incarnation came with the advent and over use of the PS plug-in called ‘Flood’.  This version did OK but version #2 remained the bigger seller.

The most notable change in sales came when I had a good hard look at the keywords I had chosen for the image after I saw it in use for an article on ‘Molecular Gastronomy’. That article provided me with some additional suggestions. But an even bigger boost in sales came when I made two additional changes.

The next version took even more PhotoShop Skills than I possessed a few years earlier.

It seems rather simple now, but at the time I had not done anything like this. Taking that original scan I kept the basic composition but took out the blue bottles top that was lying next to it. I then copied the top of the orange bottle and placed it on top of the blue bottle. I then created the reflection by duplicating the layer, flipping it and lowering the opacity.

perfume bottles

This final version, as-well-as Versions #2 & #3, are all still online but this last version, online for the shortest amount of time, outsells all of them combined.

Another revitalization came when I found it in use for an Aroma Therapy site. Again I updated the keywords and sales have been even stronger.

The evolution of this image chronicles my own evolution from a film photographer to a digital artist. With a few tweaks and some revisions to keywords, I have managed to keep this image fresh and a consistent best seller.

Aug 282012
 

Whether it’s for Facebook or the family album, everyone loves to capture and share photos of their babies. Some folk pay out to have their babies snapped by professionals in a studio, but with a little effort, a half decent camera – and nowadays most mobile phones have one built in – and the right conditions, almost anyone is capable of taking perfectly good baby photographs.

Here are six tips that will help you get those brilliant baby shots that will have your offspring squirming with embarrassment when you show them to their prospective partners later on in life.

1. Get the light right

Taking flash photography of your baby is a sure way to get them bawling (or wake them up if, by some miracle, they’re asleep. You’ll get far better results by making the most of natural daylight. Avoid direct sunlight unless you want photos of your baby squinting, and position your baby in light that is entering through a window. This will minimise the possibility of ‘red-eye’ and also give your baby a soft, natural appearance in photos.

2. Choose the optimum moment

Babies rarely tend to smile without some kind of external motivation, but choosing a time at which your baby is likely to be contented i.e. post-feed, post-snooze and post-nappy change gives you the best chance of them looking happy in photos – or at least not bawling their eyes out. Holding a favourite cuddly toy or something else that makes them smile out of the range of the camera gives your baby something to focus on and might even prompt that precious grin.

3. Photograph them against a blank background

Naturally you want your baby to be the star of the show and the focus of your pictures, so spread a plain blanket or rug on a well-lit patch of floor to provide a neutral background. If your baby if fair-haired (or doesn’t yet have hair!) a darker background will provide the best results.

4. Get up close and personal..

… but not close enough to upset your baby. Firstly, crouch or kneel so that you’re at their eye-level, then get as close as you can before finally zooming in with your camera to frame the shot.

5. Snap, snap and snap again

Once your baby is content, settled and conducive to taking decent photos, snap as many consecutive photos of them as quickly as you can. Stopping to check each photo before taking the next may result in you missing that unexpected smile or other priceless facial expression. Photography sessions with babies are inevitably short, so it’s an idea to cram in as many photographs as you can at a time; you can weed out the unwanted pictures later.

6. Don’t be afraid to get creative with your baby shots

If you’ve got the opportunity to experiment why not try taking photos of your baby from a variety of different angles? How about extreme close-ups of tiny hands, fingers, or toes? Black and white pictures can be just as impressive as colour shots. You can also see how different light conditions such as early morning or sunset, or the use of different backgrounds add different dimensions and moods to your baby photos.

This article was written by Baby Nest.  Baby Shop London – Baby Nest is a well known baby retailer in the wider London area.

Aug 222012
 

Now I’m a pretty patient kind of person, as is my wife Brenda- you have to be as professional wedding Senior Photographer with Cameraphotographers. But sometimes the ‘army’ of amateur photographers that ‘rock up’ at weddings can be downright rude and obstructive.

On a number of occasions now we have had to contend with guests ‘muscling’ us out of the way to get their shots- and often whilst we are setting up official portraits and group shots!

Of course it’s only fair to point out the majority of guests are respectful and well mannered when it comes to getting shots; as with many things in life it’s the minority that give the majority a bad name.

The problem is that the overzealous minority often get in the way of pro photographers to such an extent that key shots are often jeopardized. What I find absolutely baffling is that are so often keen to ride on the back of the professionals by taking their own ‘versions’ of group shots and set up portraits.

Do they honestly think that they are going to improve upon what the professional can achieve in these situations? I think not. More to the point, what value will these photographs have for the bride and groom?

Before I vent too much spleen and potentially burst a blood vessel, I feel it worth offering some advice to couples that they should consider passing on to their guests- Let’s call it “Matt’s guide to wedding guest photography”:

  • Add a quick note to your invitations, stating that you would like to encourage guests to bring their cameras, but ask them kindly not to get in the way of the official photographers, especially during portraits and group shots.
  • Ask guests to try to capture ‘candid’ moments during the day. There are times when photographers will be busy setting up shots or taking a well-deserved break. These are the perfect times to capture natural interactions between guests.
  • You may also want to point out when the coverage for the pro photographers runs out, and then encourage guests to take plenty of shots after this time. This can really add to the coverage they will receive.
  • If you have a guest that’s really, really keen to get involved with the photography then suggest that they run their own DIY ‘photo booth’. Get them some props and costume items and a white wall at the venue and ‘voila’ you have yourself a cool little photo booth, and save yourself a lot of money in the process.

I appreciate that I may be a little controversial here, but frankly I don’t care- our job as photographers is to get the very best shots possible for our clients. Of course we do this in a courteous way and we genuinely go out of our way to be kind and respectful of guests. All that we ask is that guests reciprocate by respecting our position as the official photographers. We aren’t saying that guests shouldn’t bring their DSLR’s to weddings, in fact the additional photographs captured can really add to the coverage. We’re just politely asking them to not get in our way at key moments. And then everyone will be happy, won’t they?

About the Author

Matt and his wife Brenda, are Surrey Wedding Photographers, based in Croydon. Their style combines elements of fine art portraiture and documentary style work.

Apr 142012
 

I find silhouette photography to be incredibly intriguing. It can be utilized in such a way that an interest generating subject is in silhouette (wiki), offering a sense of mystery and adding to viewer engagement. Or it can be done so that the majority of the subject matter is completely back lit and in silhouette. This latter case offers a very different look at an everyday subject.

The photographers of Warmpicture are always uploading exciting images, so I decided to run an image search in the database using the keyword “silhouette.” There were some spectacular results! I compiled my 11 favorites to inspire your future work, and also lend you ideas for your graphic design projects.

If you are looking for a good primer on silhouette photography, check out our post on shooting silhouettes of people.

Carmel Moonrise

Red Wine

Climber on Rappel

Palm Trees

Spanish Dancers

Shark Photo

Kids Jumping in Water Fountain

Greenhouse Silhouette

Aquarium Visitors

Dead Tree

Man Playing Flute

 

Jan 022012
 

Happy New Year! Welcome to 2012 from all of us at Warmpicture.

For those of you who just joined us, I have put together a list of our 11 most popular articles from 2011. For those of you who have been with us since last April, thank you for a great year! We hope many of these articles served you well, and we encourage you to read the ones you missed.

Without further ado, here are our most popular articles and blog posts from 2011.

Photography Tutorials

Hawaiian Shirts and Cooking Oil

Tips for Photographing Children

Conveying Emotion in Photos

Creative Uses of Aperture

Using Shutter Speed

 

Image Licensing and Agencies

Keywords and Stock Photographers

Lone Wolf or Agency Part 1 Part2 Part3

Stock Photography Subscriptions and Deception

 

Other Important Topics

Reducing Abandoned Shopping Carts in your Web Design

Understanding Resolution and DPI

Goal Setting for Success